Contents
Table of Contents
Foreword by Reinhard Isensee
Preliminary Remarks: Kinds of Television
Thanks and Acknowledgements
PART ONE: OF MYTHS & MEMES
1. The Mythological Genre: Religious Thought in Allegorical Television
1.1. Introduction: Scope and Outline of the Investigation
Structure of the Book
1.2. The Mythological Genre: Science Fiction, Fantasy, Horror
The Mythological Genre in Television / The Coherence of Narrative and the Use of Mythology
1.3. Theoretical Foundation
Interdisciplinary Character / Memetics / Religion as a Natural Phenomenon
2. Seeing Things Differently: A Memetic Approach to Culture
2.1. From Genes to Memes
Selfish Genes, Replicators, Vehicles / Imitation / "Viruses of the Mind:" Memes as Evolving Ideas / The Selfish Phone Meme: Technological Evolution / Religion from a Memetic Perspective
2.2. Memetics as a Way of Seeing
Theory in Literary and Cultural Studies / Authors Dead and/or Unconscious: Memetics and Post-Structuralism / Cui Bono?
PART TWO: CASE STUDIES
3. Errand into the Darkness: Truth and Lies on The X-Files & Millennium
3.1. Exposition: The X-Files & Millennium
3.2. Franchise-Specific Themes
The Doors of Perception at the Frontier / Errand into the Wilderness / Errand into the Darkness / Forcing the End / What is Religious About It? / The Truth is Out There / Pseudoscience as Subject to Science
4. Between the Darkness and the Light: Prophecy and the Self on Babylon 5
4.1. Exposition: Babylon 5 & Crusade
4.2. Franchise-Specific Themes
Rediscovering the Epic on Television / Who Are You & What Do You Want -- The Soul Caught in Dichotomy / Creationism and Christianity on Babylon 5 / The Soteriology of Sheridan / The Universe That Sings Itself
5. "I Touch the Fire and it Freezes Me:" Soul-Searching on Buffy and Angel
5.1. Exposition: Buffy the Vampire Slayer and Angel
5.2. Franchise-Specific Themes
Stories of Choice and Redemption / The Emancipated Psyche / Daimonion / An Apocalypse, Now & Then / Heroism
6. Feeding False Gods: Serpents, Souls and Hallowed Origins on Stargate
6.1. Exposition: Stargate: SG-1 and Stargate: Atlantis
6.2. Franchise-Specific Themes
Archeology and Anthropology: Indiana Jones in Space / Science and Pseudoscience / Euhemerism in Space / Creationism in Space: "Hallowed are the Ori" / Genetic Memory, Lamarckism, Absolute Evil / The Goa'uld Inside / Stealing Souls / Replicators
7. "Photons Be Free:" Star Trek's Fourth Discontinuity
7.1. Exposition: Star Trek
7.2. Franchise-Specific Themes
"The Measure of a (Wo)Man:" Human Rights for Machines / The Soul as Free Will / The Fourth Discontinuity
PART THREE: A MIND OF ITS OWN
8. Points of Comparison: Recurring Patterns & Elements
8.1. Recapitulation
Errand into the Wilderness / Prophecy and Free Will / The Soul / False Gods / Artificial Intelligence
8.2. Themes Across Franchises
Alien-Human Hybridity / Ancients / Gender Roles / Romantic Stereotypes and Psychotic Narration / Advanced Humans and Ascension / Death and Resurrection / Élan Vital / Dreams and Visions / Torture / Serpents and Arachnoids/Insectoids / The Cave, The Watcher, The Philosopher, and Atlantis: Platonism
8.3. Religion in the Mythological Genre
9. The Realism Assumption: Genre, Memetics and the Evolving Text
9.1. Sufficient Sense
Down the Rabbit Hole Towards the Klingon Forehead Dilemma / Science and Fiction / Science Fiction as Religion?
9.2. The Genre as Memeplex
Independence of Thought / The Evolving Genre / Memeplexes and Memetic Drive / Selection Pressure / The Evolving Text: Genre as Mold, Genre as Riverbed / Reality and Fantasy: Of Memes and Groundhogs
10. Conclusion: The Toolbox of Theory
10.1. The Mind's Eye: Ways of Seeing and Interpreting
10.2. The Emancipation of the Soul
Reality Lost? / -- and Recovered
References
Index
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